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REVIEWS

Afterworld - Dark Side Of Mind (T&T / Modern Music)

Latest signing to the mighty Noise organisation, Finnish quintet Afterworld are a technical power metal band with a difference, that difference being they're extremely hard to pigeonhole, even after several plays. Sure there's the obvious Helloween / Stratovarius comparisons with the galloping riffs, but within the speed metal framework there are a whole host of other influences at work. Hints of Dio surface occasionally, fellow countrymen Tarot also make an appearance, the odd classical refrain - the list is endless, but they possess that certain something which gives a sound distinctly their own. Duelling twin lead guitars create a very formidable base, particularly with the keyboards relegated to a supporting role, but the moody, almost melancholy vocals style give a totally different feel to most of their ilk. An interesting combination which is already generating some positive press. A grower.

Andre Anderson - Changing Skin (Review by Dave Cockett)

Andre Anderson, for those who need an introduction, is the multitalented driving force behind Denmark's Royal Hunt. Stylistically, as you'd expect, this (his first solo effort) is very much like his main band, although the songs are perhaps a little mellower in places. Still, the trademark swathes of gloriously overblown keyboards are still very much in evidence, and the vocals of Kenny Lubcke add an extra dimension to the material. Although there are only six tracks on here, two of 'em clock in above nine minutes. A must for Royal hunt fans.

Artension - Forces Of Nature (Shrapnel)

In any other month, this would have been my number one choice, but Dreamscape just pipped it at the post. This is the third release in a little over two years from this multinational group, and it's most definitely their most consistent set to date. A perfect blend of neo-classical refrains and progressive compositions, this brings to mind the likes of Rainbow, Malmsteen, Alcatrazz or Symphony X at their best. The interplay between guitars and keyboards is at times frightening, and in John West they've got one of the best vocal talents to come onto the scene in a long long time. Check out tracks like 'Behind Your Eyes' or 'Tall Ships', and you'll see what I mean. A bit of a must really.

Axe - Twenty Years (Volume II) (Review by Dave Cockett)

The latest instalment in the rebirth of the semi legendary Axe sees tracks from 'Axe', 'Nemesis' and 'Offering' get a facelift, plus a couple of tracks from the more obscure '2 Beats 1 Heart', and a brand new track 'Midnight Drives Me Mad'. Most of these tracks are underground classics in their own right,. and as they've never made it onto CD before (at least not officially) that makes them worth the cover price alone. Bearing in mind the age of most of these songs, the glossy remix seems to have given the originals a new lease of life, instilling a renewed sense of freshens. Great songs and a great idea - now let's see the first four albums remixed and reissued with some bonus tracks from the appropriate era.

Bonfire - Fuel To The Flames (BMG Ariola)

One look at this album and you think ‘Fireworks’ Part 2. The album cover and title are a dead give-away and, for once, the advance hype is right. Album opener ‘Daytona Nights’ could have come straight off ‘Fireworks’ and the following 13 tracks do their best to ignore the 90’s completely. Personally, I feel that Fireworks had slightly better songs, although that maybe because I have heard them so many times. However, for those of you who crave simple punchy riffs, multi-layered melodic choruses and traditionally cheesy song titles (Thumbs Up For Europe, Can’t Stop Rockin’, Bandit Of Love...) then this is exactly what you have been looking for from the band. A few listens to ‘Fuel To The Flames’ and the new Millennium will seem an awfully long way away. Welcome back to 1987.

Conquest - Worlds Apart (Escape)

Something of a departure from the routine Escape releases, Conquest are a new project from Finland put together by ex Stratovarius drummer Toumo Lassila, and vocalist Peter James Goodman (Jari Hiltunen). Featuring a hot shot guitar player, and contributions from Tarot bassist Marco Hietala, this is being marketed as Stratovarius meets Malmsteen. In truth, that’s pretty wide of the mark, this has more of a good old fashioned hard rock vibe - Badlands meets Whitesnake perhaps with touches of Malmsteen and Rainbow is a better description. Having said that, ‘Worlds Apart’ is by far the best thing on Escape in ages (at least since Intruder), and it’s songs are dynamic, powerful, yet instantly memorable; full of passionate mood swings and plenty of hooks - just check out ‘No More Cryin’ for example. Great songs played extremely well - this band could have a bright future.

Cooper, D C - D C Cooper (SPV)

First solo outing from the Royal Hunt frontman, and what a consistently classy affair it is. Utilising the musical talents of the guys from Pink Cream 69 as backing band, the final icing on the cake comes in the form of contributions from ex Conception guitarist Tore Ostby, and Vanden Plas keyboard player Gunter Werno. Between them, band and singer crank out some of the best melodic rock you're likely to hear this year. Breathtaking melodies, emotional guitar runs, superb harmonies, this album has the lot really, and then to cap the lot, Cooper puts in a stunning vocal performance. An album bristling with hard rockin' classics of which 'Until The End' and 'The Angel Comes' are but two examples. Essential listening.

Crimson Glory - Astronomica (Rising Sun)

It’s been 8 years since ‘Strange And Beautiful’ (definitely more strange than beautiful !), 8 years in which progressive music has moved forward in quantum leaps. In their heyday, Crimson Glory stood shoulder to shoulder with the likes of Queensryche, their first two albums at least matching Seattle’s finest blow for blow. Anyone expecting a return to that ‘Transcendence’ sound however is going to be in for something of a shock. First off, vocalist Midnight is no longer in the band (he’s been replaced by Wade Black), and musically speaking ‘Astronomica’ appears to be aiming at more of a late 90’s audience. Dark and brooding, full of intense twist and turns, the tracks take a few spins before you really start to appreciate their worth, the multilayered guitars of the past replaced with a more stripped down sound. Sonically and technically this is a masterpiece, but certainly no easy ride initially, and the vocalist doesn’t really live up to his illustrious predecessor. Well worth checking out though.

Crises - Crises (Independent)

Does anyone remember the rather good ‘Broken Glass’ album from last year ? Well, anyone who picked up on that little gem will be pleasantly surprised to hear this, their debut mini album release from 1995. I was as amazed as anyone to find this still in print, and whilst it might lack the metallic bite of ‘Broken Glass’, there’s still plenty of mood changes, catchy melody lines, and technical ability to make this well worth investigating. Dream Theater and Fates Warning comparisons surface pretty regularly, as do the odd Rush references now and again. For an independent release, the production is pretty clear, considering that (like the Power Of Omens release) this is only an eight track recording ! I was expecting the material to be perhaps a touch naïve, but tracks like ‘Wait Longer’ or ‘Choices’ stand up pretty well under close scrutiny. Should become something of a collectors item.

Danny Danzi - Somewhere Lost In Time (Z Records)

One of the most eagerly anticipated releases on Z due, in most part, to his performance at the label’s showcase festival at Maxim’s last May. Exuberant melodic rock with big choruses is the order of the day and those of you who appreciate the energetic approach of Y&T, Firehouse, Giant and Hardline will appreciate what Danny is trying to do. Although not marketed as a solo album, that is what S.L.I.T. is as Danny writes, sings and plays all instruments on all songs (with a few exceptions) and proves himself to be very adept at each. However, my gut feeling is that Danny should take the Dave Meniketti route and get himself a great band whilst still performing lead vocals and guitar and then I think he will come up with something really special. Overall a good debut with stacks of potential.

Dirty Deeds - Real World

Real World is the second offering from this UK foursome and their mentor (Maiden’s Steve Harris) must have plenty of faith in them as Dirty Deeds are responsible for 2 of the 3 releases on his Beast Records label (the other being Consider This by The Kick). Dirty Deeds make no apologies for their trad metal style and pile on riff after riff mixing elements of the NWOBHM with a touch of Accept. If I’m honest, this kind of metal holds no great appeal for me and having never heard the debut I cannot say how much, or indeed if there is any improvement. Although I doubt whether I will be returning to this album in the near future I enjoyed what I heard in spite of the lack of any really classic metal moments amongst the 10 tracks on offer. I think Real World will find a spiritual home in Germany which is something of a Sanctuary (?!) for no nonsense metal.

Dreamscape - Very (Rising Sun)

Second offering from this highly technical progressive outfit sees them continue to explore and expand the Vanden Plas style sounds created on their first release 'Trance-Like State'. With 'Very', Dreamscape have created an album which just about epitomises the whole techno / progressive scene. Complex rhythmic patterns, rapid fire riffing, exquisite, delicate even, vocal melodies, and a fistful of superb mood and time changes. As previously, their standard of technicianship is awe inspiring, and with new boy Hubi Meisel on vocals the band seem to have finally found that last elusive piece to the puzzle. Superb songs like 'When Shadows Are Gone' and 'Thorn In My Mind' put them up there with the industry big guns.

Edguy - Theater Of Salvation (AFM Records)

'Theater Of Salvation' is the follow up to last year's explosive 'Vain Glory Opera' release, and whilst it sees the band curb some of their more bombastic tendencies, the trademark soaring vocals and pummelling riffs are still very much part of their repertoire. Along with Rhapsody, Edguy seem to have this whole 'epic' metal thing sewn up. Equal parts Helloween, Blind Guardian and Angra, with a liberal dose of Manowar at their most overblown, this is certainly not for the faint hearted. Incisive dual guitar breaks and multilayerd choruses abound throughout this release - ally those to some truly stupendous classical hooks, and you get their best effort to date. There's also a bonus cut on the rather splendid digi pack version. Well - recommended.

Eddie Money - Ready Eddie (SPV)

Veteran rocker Eddie Money returns to the rock scene with 'Ready Eddie', his first album since 95's 'Love And Money' offering. All the classic Money trademarks are still there, that raw Springsteen meets Hornsby voice, that good time rock n' roll meets hard rockin' edge, yet for the first time in almost a decade it seems that Money is actually enjoying himself on record once again. And that shows in the material, you can almost see the guy grinning from ear to ear as you listen to tracks like lead off cut 'Ready To Rock', or the breezy blues of 'Cold Tonight'. This is classic driving music, the kind made for cruising the open roads, on those endless summer days, days when life seemed a lot less complicated. Imagine a cross between Stevie Ray Vaughn, Springsteen and maybe the Eagles and you've got 'Ready Eddie'. One for the old school of thought. (Includes a bonus live CD.)

Eniac Requiem - Space Eternal Void (Review by Dave Cockett)

If, like me, you can hardly contain yourself 'til the arrival of the next Symphony X masterpiece, you could do a lot worse than check out this US quintet. Highly reminiscent of Symphony X circa 'The Damnation Game', liberal doses of early Royal Hunt and Artension are thrown into the melting pot for good measure - we could have just stumbled onto a minor classic here. Technically irreproachable (particularly in the guitar and keyboard department), and with a firm handle on some truly memorable songs, this release is an absolute must for all those techno metal fans out there.

Fifth Angel - Fifth Angel / Time Will Tell (Epic Japan)

With reissues being rather big business these days, I suppose it was only a matter of time before somebody finally got around to Fifth Angel. A sorely underrated class metal act from Seattle, the band failed to make much of an impact, despite releasing two of the best metal albums of the 80’s. Their self titled debut ‘Fifth Angel’ first came out in Europe in ’88 on Roadrunner Records. A brash blend of traditional North American metal and hooky choruses, the band had a distinctive, almost Queensryche style, guitar sound courtesy of James Byrd (later of Atlantis Rising fame), which accentuated perfectly the powerful voice of frontman Ted Pilot. Even now, some ten years later, a plethora of tracks like ‘Call Out The Warning’ make this stand out as one helluva debut release. ‘Time Will Tell’ followed in ’89 after the band had been picked up by Epic, and although slightly more polished, this still retains that distinctive Fifth Angel sound, with gloriously catchy tracks like ‘Cathedral’ and ‘Broken Dreams’ - the band also do a storming version of UFO’s classic ‘Lights Out’. If you missed out on Fifth Angel first time around, both these albums are an absolute must.

Fiore - Body Electric (Review by Dave Cockett)

This is the second Fiore release in less than twelve months, and like the first effort 'Today Till Tomorrow', comparisons to early Harem Scarem abound throughout. Then again, with Harry Hess handling production duties once more, as well as being heavily involved in the songwriting, that shouldn't really come as a surprise to anyone. Velvety smooth songs like this, allied to vocalist Jon Fiore's gravel throated delivery, would've virtually guaranteed the band multi platinum status back in the mid 80's. As it is, times have changed, but happily the quality of the material has not. Excellent melodies and monster hooks throughout.

Forte - Rise Above (Siegen Records)

When you consider their complete lack of profile in Europe, it’s amazing that ‘Rise Above’ is actually the fourth release from Oklahoma City quartet Forte. A power metal band of the old school, this release combines elements of Judas Priest or Vicious Rumors, with the untamed aggression found in the likes of Slayer or Sepultura. Pretty much heads down all the way, the rabid onslaught stopped only occasionally by the odd unexpected twist, this reminded me of the kind of naïve charm that Metallica or Anthrax had back in the early days (indeed, ‘Ninety Nine’ would’ve slotted quite comfortably on ‘Spreading The Disease’). At only thirty six minutes long, this seems short by late 90’s standards, but then again, at least there are no discernible fillers to pad it out. Lean and mean for sure, but for me, the band really start to show some promise when they slow things down, as with the likes of ‘Forgiven’. Solid power metal.

Frederiksen, Fergie - Equilibrium (MTM)

'Equilibrium' is the long awaited debut solo release from one of the most charismatic and seductive voices in the sphere of Melodic hard rock, ex Le Roux / Toto man Fergie Frederiksen. Much more laid back and West Coast in structure than the 'Frederiksen / Phillips' album from a couple of years back, the sheer quality of the songs nevertheless remains consistently impressive throughout. Featuring contributions from a virtual who's who of writers and players, the finished article is, as you'd expect, of the highest quality, the production rich and oh so silky smooth. Songs to watch out for include 'Mata Hari', 'Blaze Of Love' and the truly awesome 'Tell Me Diana'.

Gamma Ray - Power Plant (Noise Records)

The inimitable Kai Hansen and friends return with their latest album 'Power Plant', follow up to the hugely successful 'Somewhere Out In Space'. When you've hit on a winning formula, the last thing you want to do is change it (one of the reasons Kai left Helloween), and for articulate speed lovers everywhere I'm pleased to report this is pretty much business as usual. Thunderous drums, rumbling bass lines, and eclectic riffs are the Gamma Ray trademark, and this is literally dripping with 'em. Whilst perhaps not attaining quite the same consistent heights as its predecessor, there are very few bands out there who can put a foot on their turf. Watch out for the unusual choice of cover in the old Pet Shop Boys hit 'It's A Sin'.

Gotthard - Open (BMG)

Not the spectacular return to dizbustin' metal that many were expecting, 'Open' sees the Swiss band continue to explore the semi acoustic style they first experimented with on the 'D-Frosted' album. That said though, this release does contain some exceptionally high quality melodic rock, albeit in a safer, more radio friendly style. Without the riffs to lean on, songs like 'Tell No Lies' and 'Vision' are forced to stand on their own, and its testament to the songwriting capabilities within the band that they do so almost throughout. Whilst this may be a bit of a departure from what we were expecting, there's no denying the quality of the material on offer. Fans of quality AOR / West Coast should go a bundle on this.

Giuntini Project - Giuntini Project II (Giuntini Records)

Now this does come as a surprise. After his decidedly Malmsteenesque debut sank with barely a ripple a few years back, I assumed Aldo Giuntini would be consigned to the pages of history. Not so, back with a brand new album and singer (ex Sabbath man Tony Martin), he's taken the neo-classical style of the debut and moulded it into something akin to either 'The Eternal Idol' or 'The Headless Cross'. The mix of Martin's passionate vocals and Giuntini's firey fretwork, especially within the context of a set of songs as classy as this, is at times truly breathtaking. From smouldering opener 'Sacrifice', to album closer 'Satan Rising', the pair feed off one another to create a brooding, yet classy web of melodies and hooks. If Malmsteen ever wanted to make a Sabbath album, this would surely be it. Highly recommended.

Harlan Cage - Forbidden Colors (MTM)

Much anticipated third outing from the one time Fortune duo of LA Greene and Roger Scott Craig. As their self titled debut and last year’s ‘Double Medication Tuesday’ releases both proved, Harlan Cage know a thing or two about giant hooks, and ‘Forbidden Colors’ carries on in that fine tradition. This time around though, the songs seem a little more laid back and restrained, bringing to mind some of the early Survivor stuff on more than one occasion (check out ‘Chinatown’). In guitarist Billy Liesegang they’ve unearthed a master craftsman who gives their songs that little extra lift so often found wanting in much of today’s market, his razor sharp melodies never failing to impress. As has become tradition, there’s another reworking of an old Fortune classic - this time the driving ‘Thrill Of It All’ gets a dusting down. In melodic rock circles, Harlan Cage are near enough as good as it gets.

Harrow - Embrace The World (Power Records)

Now here's something that's probably passed a lot of people by - certainly did me I must admit. A quintet from Holland, Harrow have a bit of a history ('Embrace The World' being something like their fourth or fifth release). This is a very contemporary sounding album, dark and brooding late 90's style progressive metal, which reminded me of the recent House Of Spirits release on more than one occasion. Technically, this lot are nothing short of brilliant, although vocalist Harry Wijering's semi belligerent delivery is a little disconcerting until you get used to it. Imagine the melody of the last Conception album crossed with latter day Priest or Mindfeed, and you'll come pretty close to the Harrow sound. Riff heavy this may be, but there's plenty of depth to songs like 'Nature's Cry' or 'The Blueprint Of Life'. A good effort.

Heavens Gate - Menergy (SPV)

Fifth album from the veteran German quintet sees them consolidate the ground made with 96's 'Planet E' release. Traditional mid European power metal is the name of the game here, and Heavens Gate certainly no how to mix it up with the best of 'em. As you'd expect, crunching riffs and pummelling drums are the order of the day throughout, although the band manage to inject a fair degree of melody and thought into each of the songs. Whilst this particular style of music may not be in vogue in the UK at the moment, fans of bands like Running Wild, Accept et all could do a lot worse than check this one out. Best cut - probably 'Mastermind'.

House Of Spirits - Psychosphere (Review by Dave Cockett)

After an absence of nearly five years, Germany's House Of Spirits look set to explode back onto the progressive scene with this magnificent collection. The Queensryche comparisons are still very much in evidence, due in no small part to the awesome vocal gymnastics of frontman Olaf Billic. Everything that was great about their debut 'Turn Of The Tide' is still pretty much in evidence; the hook laden songs, dripping with harmonies and orchestration; the razor sharp riffing; the moods and atmosphere ..... Without doubt, this is the first bona fide classic release of its kind this year and mere superlatives seem inadequate to describe it. Even better than the recent Veni Domine release .... and that's saying something ! Essential.

Hughes, Glenn - The Way It Is (SPV)

Long awaited return to action from the legendary 'Voice Of Rock'. Whilst fans of the man's previous output won't be disappointed, 'The Way It Is' sees Glenn moving away from the angst ridden style of 'Addiction' to a more laid back and ethereal place. Stylistically, this probably fits best somewhere between 'Feel' and 'From Now On', having the song structures of the former and the power of the latter. Featuring contributions from Keith Emerson, Matt Sorum and Steve Salas, as well as his regular band, this is probably the most experimental set of Hughes songs for some considerable time - grounded in the old school of rock but not exactly mainstream fodder. More of a grower than an instant fix.

Hyperion - Where Stone Is Unscarred (Massacre Records)

I’m told it’s like Rhapsody”, offered Simon helpfully when I enquired about the latest release from Massacre. Let’s see … Babylonian style artwork (check), galloping riffs (check), sky skimming vocals (check), the odd classical reference or two (check), epic tales of daring do (check - hang on, its much more mature than that really) …. yes this is aiming at the same ball park as Rhapsody. Probably less overblown and orchestrated than either of the Rhapsody releases, ‘Where Stone Is Unscarred’ takes on board a healthy cross section of Blind Guardian and early Helloween influences. Whilst Matt McHantin (don’t ask) isn’t the best vocalist in the world, he’s pleasant enough most of the time, much better than his contemporaries in bands like Drakkar or Steel Attack. The keyboards have a slightly ambiguous 70’s feel, but the riffs are pure Kai Hansen.. Not earth shattering, but showing promise.

Ice Age - The Great Divide (Magna Carta)

One of Destiny’s regular prog. metal customers (Hi Allen!) has already proclaimed this his album of the year and Sound Barrier’s Andy Paul has described Ice Age as ‘like Styx filtered through a lens provided by Symphony X or Dream Theater’. Follow that. Easy, get Dave Cockett to review it, only he’s on holiday. I hope I can do it justice. First thing to hit me is the quality of the production. The prog. metal market rarely falters in this department and this is as good as your going to hear in spite of the vocals being a little drowned out in places (more the fault of the mix than the production). The musicianship is as good as you would expect from a Dream Theater album with plenty of the prerequisite time changes although not at the expense of melody. With a total running time of 74 minutes you can say value for money or too long, depending upon your own viewpoint. Overall one of the best releases of its kind in recent months and I think Dave will love it!

Imperial Rage - Fire In The Sky (Pulse Records)/Ion Vein - Beyond Tomorrow (Majasphere Records)

Just a quick perusal of a couple of US indie metal releases which probably won’t get any press over her. Imperial Rage start of all melodramatic with thunder claps moody keys before delving into the murky waters of neoclassical mayhem. Very Malmsteen/Impellitteri with a vocalist who does his best Bob Rock impersonation although not quite in the same league. Cited influences include Bach, Vivaldi, Mozart, Paganini and Michael Romeo! A promising debut. Ion Vein also kick off with reasonably dramatic instrumental intro (a prerequisite with all 90’s metal it seems) then offer up a mixture of power and prog. metal, switching from subtle acoustic melodies to speedy riffs in the flick of an eye. Whilst both bands show potential, neither are ready to join the ranks of the big boys (Vanden Plas, Symphony X etc..) just yet.

Iron Savior - Interlude (Noise)

With traditional metal on the rise in Europe once more, what the genre really needs is a clarion call to rally the troops this side of the channel. Well ladies and gentlemen, fear not, Germany’s Iron Savior could be the saviours (sic) we’ve all been looking for. Put together by ace producer Pit Sielck, the band features some top grade musicians, most notably Gamma Ray mainman Kai Hansen. ‘Interlude’ is something of a stop gap until their next full studio outing, but it’s still nevertheless a very worthwhile investment. Featuring live tracks from last years Wacken festival, what really makes this appealing though is the inclusion of new studio numbers like ‘Stonecold’ and ‘Contortions Of War’, plus a rather splendid cover of the old Priest track ‘Desert Plains’. A classy mixture of Accept, Priest and Maiden amongst others, Iron Savior have few peers in their chosen field. Well recommended.

Jaime Kyle - Best Of My Heart (N&T/Frontiers)

As the title suggests, this is a compilation album and certainly more worthy than most as it contains 4 unreleased tracks plus a further 11 from ‘Back From Hollywood’ (her N&T debut) and the The Passionate Kind (now deleted). Having not played Jaime’s albums for some time this came as a very pleasant surprise and reminded me what a great songwriter and performer she is. The quality of musicianship and production also puts it above 99% of independent aor releases right now and only goes to highlight that she is a major label artist waiting to happen. Congratulations must go to Now & Then for supporting such a talent and maybe one day she will get the audience her undoubted ability deserves.

Johnny Lima - Shine On (Now And Then / Frontiers)

Two years after the release of his heavily Bon Jovi slanted debut, Johnny Lima returns with his second offering 'Shine On'. This time the final mix was handled by Ten frontman Gary Hughes, and the results make for a far more rounded (not to mention listenable) record. Sure ol' Johnny boy still sounds like a certain chappie from New Jersey, but this harks back to the days when Bon Jovi were all about having a good time ('7800 Fahrenheit' or 'Slippery When Wet'), not the dour sanitised version we have now. This is just no nonsense party rock 'n' roll plain an' simple - no pretensions, no frills. The thing that really sets this apart from his first effort is the quality and consistency of the songwriting, something that has certainly improved radically. Probably not the best record you'll hear this year, but a great one to inject some life into a dull party.

Kin - Behind Closed Doors (Blackpaw Records)

Originally touted as being a cross between Heart and Aerosmith, Kin are that rare commodity in rock these days being an all female band and, as with most female bands, they tend to get approval more for their looks than their music. Sad but true. As with Dream Theater/Queensryche for prog. metal and Journey/Survivor for aor all female fronted bands get compared to Heart. Let’s just say that Aerosmith is nearer the mark. Their approach is very laid back and groove orientated with a strong 70’s feel. A more appropriate description would be a female version of Free crossed with Black Crowes/Tattoo Rodeo. Jodi Vaughan’s slightly gruff yet melodic vocal approach suits the music perfectly and although there are no real standout tracks there are no duffers either. Best appreciated with a glass of bourbon.

Lefay - Symphony Of The Damned (Noise)

Not exactly a brand new album as such, ‘Symphony Of The Damned’ is actually a completely re-recorded (or Re-Symphonised !) version of the 1990 Morgana Lefay debut which was only ever a limited edition release (537 copies to be precise). For a set of songs that are well over a decade old, this sounds remarkably fresh, and given the upsurge in trad metal over the past couple of years, there’s a ready made market that’ll just lap this up. Dark and snarling vocals, brooding bass heavy riffs and tortured guitars, this is unashamedly metal, yet given the complex nature of some of the songs, comparisons to early Fates Warning or Heir Apparent also spring to mind. Perhaps more measured and melodic than the recently released ‘The Seventh Seal’ opus, the consistent quality of this release really surprised me. One of the unsung heroes of metal.

Lefay - The Seventh Seal (Noise)

Okay, I know it’s taken me a bit of time to get around to this particular release (just goes to show you how many great albums there are each month), but I think it’s been well worth the wait. Featuring the vocalist and guitarist from the now sadly defunct Morgana Lefay, Lefay play hard edged power metal which brings to mind early Savatage (particularly vocally), although this is much less frantic than the Florida band used to be. Yet strangely that lumbering, deliberate edge (which is very reminiscent of Metallica at times) gives an overwhelmingly intense feel to songs like ‘The Seventh Seal’ or ‘The Boon He Gives’. Whilst caustic riffs, bombastic bass lines and vocal lines dripping with angst might not be everybody’s cup of tea, for those who get off on this sort of metal, Lefay do it bloody well. Not to be missed.

Lynyrd Skynyrd - Edge Of Forever (SPV)

What can you say about Lynyrd Skynyrd ? Quite justifiably, at least in my book, something of a legend, their particular brand of whisky soaked Southern Boogie has few equals, and no peers. Since their emotional reformation in the late 80’s, the band have been pretty much constantly on the road in one territory or another, hence the protracted gaps between albums. ‘Edge Of Forever’ is their first studio release since 97’s ‘Twenty’, and sees the band strip everything right back to the basics that made their name in the first place. Low slung guitars duelling it out to the max, Johnny Van Zant’s gravel throated southern drawl, and honky tonk piano all combine to give that unmistakable Skynyrd sound that has enthralled millions for the best part of three decades. A nice mix of rockers and ballads, this is the best ‘true’ Skynyrd album since ‘Street Survivors’.

Majestic - Abstract Symphony (Massacre Records)

With a name like Majestic, you'd expect grandiose, overblown melodies and huge choruses to be the order of the day - and you'd be right. Hailing from Sweden, this lot have taken the traditional Scandie approach of bands like Talisman and Glory, enhancing them with some serious neo-classical and even progressive influences. Throughout this album there are abundant comparisons to the likes of Yngwie Malmsteen, Alcatrazz and Symphony X (especially on the keyboards) to be found, but Majestic go one stage further by injecting a hefty dose of pomp. Great songs allied to some truly blistering guitar workouts make this a must for fans of bands like HammerFall or Edguy.

Malpractice - Of Shape And Balance (Mastervox Records)

After their well received six track mini album 'Frozen', Finnish band Malpractice return with their debut full length CD ' Of Shape And Balance'. And a rather fine effort it is too, dealing as it does in progressive metal with more than the odd hint of our very own metal masters Threshold. Whilst this doesn't quite live up to 'Clone' (then again, what does ?), it does see the band really capitalise on the promise they showed in the past. The uncluttered production really accentuates the razor sharp riffs which underpin the whole Malpractice sound, and their melodies grab your attention more and more with subsequent listens - great vocals too. Just watch the European crowds lap this lot up.

Mansson - Arch Of Decadence (Point Music)

With a vocalist who sounds like a slightly more melodic Udo Dirkschneider at times, and a lead guitarist with a style not unlike a certain George Lynch, ‘Arch Of Decadence’ is a tad heavier than recent point releases. Thankfully, that hasn’t been at the expense of some really classy hooks and melodies, as Mansson (a six piece from Sweden) prove to be pretty consistent songwriters. Featuring ex Malmsteen drummer Anders Johansson, there’s also a veritable who’s who of guest appearances from the likes of Jonas Rhinegold and Pete Sandberg (both of Midnight Sun), and ex Nasty Idols guitarist Pete Espinoza. Mixing a heavier Dokken sound (there’s some excellent lead breaks throughout) with an early 90’s Scandie Rock approach (Skintrade, Be Warp, etc.), Mansson have certainly sent a curve ball our way. The songs take a little work, but continued patience reaps handsome rewards.

Marathon - Early Works (Point)

Not be confused with the Dutch or Italian bands of the same name this (German) version of Marathon actually existed in the mid 80’s (check out the clothing - all neck scarves and silk shirts) and as far as I am aware this is the first time these songs have been committed to any musical format. Although the sleeve notes indicate that these are just demo’s, the sound quality is very acceptable. A gentle swath of keys pervades their whole approach to aor without developing into out and out pomp. If you want to put me on the spot then Marathon would fit somewhere in between Mr Mister and The Storm without being as hi tech as the former nor as bombastic as the later. (Please be aware that I use the aforementioned artists more as an indication of style than as direct comparisons.) One of the better offerings available to all you collectors of obscure 80’s aor.

Medalyon - In The Test Of Time (Fortunate Records)

A quintet from Massillon, Ohio, Medalyon ply their trade at the more darkly technical end of the progressive spectrum, the kind of place occupied by bands like Veni Domine or Dreamscape. Musically, they reminded me of a cross between Veni Domine, Queensryche and maybe even Megadeth from time to time, certainly not a bad combination at all in my book. Although this is a pretty intense release at times, it remains catchy and listenable throughout, strong testament to the quality of the songwriting. Vocalist Rick A. Shay (yeah, right) sounds like a cross between Geoff Tate and one time Savatage frontman Jon OIiva, his gravely delivery suiting the moods the band create very well indeed. Although this probably won't appeal to the dedicated AOR market, fans of good quality progressive metal should find plenty to get to grips with. Recommended.

Megace - Inner War (Angular Records)

Megace are a female fronted progressive metal band from Germany, and I believe that ‘Inner War’ (their debut for Angular) is actually their second release. Dark and brooding, this has touches of Rush, and Queensryche circa 'Rage For Order’ - the latter especially in the riff department, the vitriolic guitars spitting venom at regular intervals. A dry production makes this a very intense release, and the Udo meets Doro vocals are also something of an acquired taste. There were times that this reminded me very much of the Digital Ruin album, insofar that there’s very little in the way of any discernible commercial edge to it. Musically, the band are extremely tight and well accomplished, but the lack of anything tangible to latch on to might be off putting to those who demand a fair dollop of sing along choruses. A grower maybe for those with tastes on the dark side..

Metal Church - Masterpeace (SPV)

Forget grunge, after Queensryche, I always thought that thrash metal band Metal Church were by far the best thing to emerge from the Seattle scene. Always far too technical to sit comfortably with the 'thrash' tag they got labelled with, their often brutal, darkly menacing melodies were one of the few bright spots on an otherwise dull scene. Reformed an revitalised, the band return with 'Masterpeace', their first studio offering in almost six years. Far more stripped down and much rawer than either their self titled debut, or classic 'The Dark' albums, this has more in common with their overlooked 'Blessing In Disguise' opus. Explosive riffing, snarling vocal melodies, and frantic guitar fills are the order of the day (with one or two more reflective moments), and whilst this might not quite be classic Metal Church, it's good to have 'em back.

Metalium - Millennium Metal (Chapter 1) (Massacre Records)

With a name like Metalium, it’s pretty obvious that this isn’t gonna be particularly pink and fluffy. Featuring Savatage guitarist Chris Caffrey and journeyman drummer Mike Terrana (Malmsteen, Artension, Axel Rudi Pell), Metalium play an uptempo combination of Helloween, Metallica and Stratovarius with some deliciously classically influenced choruses. Pummelling drums, supercharged riffs and soaring vocals are their stock in trade, and, like recent releases from the likes of Iron Savior et all, the results herald the musical rebirth of metal, revamped and updated for the next generation. Caffrey and fellow guitarist Matthias Lange certainly know how to peel off a cracking riff or two, and vocalist Henning Basse hits those high notes with an unnerving ease. What really makes this album though is great songs, songs like the brooding ‘Metamorphosis’ or ‘Free Forever’. Well classy

Dave’s Choice: Midnight Sun - Above & Beyond (Point Music)

With great new releases coming atcha left right and centre these days, it’s hardly surprising when one or two slip through the net. So it was for me with the first Midnight Sun album ‘Another World’, but if this, the long awaited follow up is anything to go by, that’s something I intend to rectify soonest. A glorious combination of classic Scandie (Glory, Treat, Skagarack, etc.), with a Malmsteen meets Nation neo-classical bent, this is one of the best hybrid’s of it’s type I’ve had the pleasure of in a long time. Huge, spiralling guitar flurries dominate throughout (John Norum guests on a couple of tracks), yet the songs (a mix of rockers and ballads) retain that quintessential melodic suss that made Sweden the Holy Grail for melodic rock back in the mid 80’s. With ex Alien man Pete Sandberg on lead vocals, this should be top of every hard rock fans’ wants list. Brilliant !

Millenium - Angel Fire (Now & Then / Frontiers)

It’s been almost two years since the first, self titled Millenium album, a great slice of melodic rock which reminded me of early Firehouse. Two years as they say is a long time in rock ‘n’ roll, but boy has ‘Angel Fire’ been worth the wait ! Whereas the debut was more of a party animal, this release is a sleek and sophisticated thoroughbred showcasing just how far Ralph Santolla has progressed both as a songwriter and producer. Closest comparison I can think of is the debut Eyewitness album (remember all those lush harmonies ?) with a slightly more European sound, and maybe even the odd neo-classical influences creeping in from time to time. Ralph’s guitar rules throughout, but not I’m happy to say at the expense of some finely crafted melodies and gloriously harmony laden choruses. One listen to tracks like the smouldering ‘Shaman’ is all it’ll take to get hooked. Brilliant !

Mollo / Martin - The Cage (Dreamcatcher)

First we had the Giuntini Project album and now this, it would seem that ex Sabbath frontman Tony Martin has something of an a thing for Italian guitarists. Previously only available as an expensive Jap import, the rather astute people at Dreamcatcher have cottoned onto the market potential of this little gem. A combination of bluesy Whitesnake, and Dio era Rainbow, this is a superbly crafted batch of songs taken to the limits by Dario Mollo’s dynamite guitar licks and Martin’s stunningly soulful vocal performance - not to mention keyboards by a certain Don Airey. From emotive ballads like ‘The Cage / If You Believe’ to sassy blues rockers like ‘Smoke And Mirrors’, this is the kind of album that has almost universal appeal. Throw in a rather potent cover of the old Purple classic ‘Stormbringer’ - all heartwrenching vocals and gutsy guitar runs - and this should be pretty high on everyone’s wants list.

Moon Dog Mane - Turn It Up (Eureka)

This album has been available in the USA for some months now and the band seem to be doing OK, even playing some shows in support. If you didn’t already know, this is the band featuring ex Tesla guitarist Frank Hannon who’s fretwork can’t be faulted. However, the real star of the show is vocalist Brodie Stewart who’s clear rasping vocal perfectly suits the music on offer. If an amalgam of Badlands, Free, Tattoo Rodeo and a Southern style Tesla sounds like your bag then grab a listen. A quick tip, play the last track first and watch yourself playing air guitar with a vengeance!

Mullmuzzler - Keep It To Yourself (Magna Carta)

The rather strangely monickered Mullmuzzler is actually the musical vehicle for the debut solo release from Dream Theater frontman James LaBrie. Backed by a cast of top class musos (including members of Dali’s Dilemma and Magellan) you’d expect this to be pretty tight, and you’d be right. From a style point of view, save for the odd quirky moment here and there, this doesn’t stray too far from Dream Theater territory, with that instantly identifiable LaBrie drawl dominating every track. Less technical and intense than his main band have been of late, this is still very progressive, although the songs themselves appear to be set within a more traditionally melodic framework. Perhaps ‘Keep It To Yourself’ isn’t the ‘solo’ we might have expected, but nevertheless it’s a damn fine record, and an absolutely essential addition to any progressive collection.

Myon - Heaven’s Garden (Mastervox Records)

Myon are a newish band from Finland, and ‘Heaven’s Garden’ is, I believe, their first full length release. Marketwise this has quite a number of possibilities as it’s a real mix of progressive, AOR, Scandie and even retro rock. Sounds a bit of a kitchen sink job on paper I know, but aurally Myon seem to have lifted the best elements from each genre and blended them into something slightly different yet entirely listenable. There’s a heavy progressive backbeat running through most of the material, but the guitars and keyboards combine together to give a far more upbeat, less intense set of melodies which will have your toes tapping before you know it. For those who need references, I got elements of Queensryche (occasionally), Iron Maiden … Treat …. the list goes on, but no single element adequately describes the Myon sound. Great songs with loads of potential.

Mystic Healer - Mystic Healer(Review by Dave Cockett)

The much vaunted return of Mark Mangold (Drive She Said, Touch), Mystic Healer contains co-writes with such industry luminaries as Aldo Nova, Jack Ponti and Michael Bolton, and a whole host of name contributions. As you'd expect, this is super slick AOR which brings to mind Mark's work with Drive She Said, although at times I got hints of both early Stan Bush and The Storm. All of the songs follow the same standard formula, although they have an instant, inbuilt memorability that ensures they stay with you long after the CD has finished. Polished, high quality melodic rock from the pen of one of the masters in the field.

Narnia - Long Live The King (Review by Dave Cockett)

Sophomore release from Sweden's Narnia sees them continue to explore the same neo-classical Malmsteen territory as last year's 'The Awakening' release. Whereas that debut perhaps tended to lack a little direction at times, 'Long Live The King' is a much more cohesive set. Guitarist Carljohan Grimmark is still the undoubted star of the show, his weighty riffs and speed soloing again being mightily impressive, but unlike so many, he's content to channel his energies into the overall song - no over inflated ego here. Fans of that classic Malmsteen sound will just love tracks like 'Living Water', Shelter Through The Pain' and 'Star Over Bethlehem' - great melodic metal.

Destiny’s Choice Part 1: Nelson - Life (Stone Canyon Records)

Simply put, this is the best pure aor album I have heard in a very long time. Remember ‘Love & Affection’, ‘After The Rain’, and ‘Time Will Tell’ from the debut? Life has the hooks and tempo to match but with a degree of maturity which says that the Nelson Brothers have reached a musical pinnacle in their illustrious career. 10 songs and absolutely no fillers. ‘A Girl Like That’, ‘She Sheila’ and ‘Let’s Talk About Me’ are instant hits but with subtle nuances in their arrangement which put them almost in a class of their own. Instant yes, throwaway definately not. Less immediate, but equally impressive are the ballad ‘Someone Like You’ with its extended guitar outro, ‘Life’ (writtten by Rick Nelson) which takes you from the Beatles to Enuff Z Nuff and back again and the thought provoking closing number ‘Is That how It Is?’ (co-written with Russ Ballard). I Have already spoken to Rob Evans at Hard Roxx and we have both come to the same conclusion; AOR Album Of The Year. Note: We are looking to bring over copies of Silence Is Broken, Brother Harmony (their country debut) and some shirts with the next shipment. Let me know if you are interested and we will get straight to it.

Network - Crashing Hollywood (Point)

Yet another of those albums being hyped up to the eyeballs on the internet. Why? Mainly due to the presence of Larry Baud (Red Dawn) and Mark Evans (Heavens Edge). Much name-dropping has ensued; Journey, Red Dawn, Signal, Storm.... Whilst I can see the comparisons does it justify the furore. Put it this way, if you long for ‘undiscovered gems’ from 10 years ago then the answer is probably YES. However, if you make direct comparisons with the best of the bands mentioned elsewhere then this doesn’t really live up to the hype. Whilst this review may seem negative, it’s not. More a question of putting things in perspective, a devil’s advocate if you like. Expect great reviews in the mags though as overall this is a quality melodic rock/aor release which has maybe suffered a little from PLE (Pre listening Expectations).

Orange Swirl - Vinyl (Timestone Music)

Andy Timmons is something of a unsung guitar hero who can lend his hand to anything and came to prominence with me more through his work with Kip Winger on ‘This Conversation...’ than with Danger Danger or his Ear X Tacy/Pawn Kings releases. Orange Swirl owes more to Enuff Z Nuff and the Beatles (albeit rockier) with a hint of Elvis Costello (the later two artistes get a mention in the special thanks) and proves again what a talented musician and singer he is. Chip & Donnie having been doing this kinda stuff for years and Andy has undoubtedly woven some of their vocal and musical trademarks into his own material. Tracks like Please Come Home, It’s A Shame (amongst others) will have you scanning the songwriting credits for the names of Vie/Z Nuff! Nothing truly original then, just quality pop/rock laced with some beautiful guitar solos to which I have become strangely addicted.

Perry, Steve - Greatest Hits + 5

The 5 refers to the previously unavailable tracks on this best of release. However, if you only own the 2 solo albums and not the U.S. only CD5's and the Quest For Kamelot soundtrack then you can look forward to 9 Steve Perry songs you have never heard before making this one of the more essential compilations of recent years. Of the rare and unreleased stuff look out for 'Against The wall', 'Once In A Lifetime, Girl' and 'If You Need Me' which was taken from the demo's of Perry's band prior to Journey and which landed him the gig way back in 1977. The rest, as they say, is history.

Pink Cream 69 - Electrified (high Gain Records)

The most talked about CD from the last issue of Hard Roxx due to massive review and sparkling track from the sampler CD. Hence the top spot in last months sales. This is a cracking melodic rock album in a month filled to the brim with them and would be the pick of the bunch had I not heard the advance copy of the Westworld album. Those of you wishing to dig a little deeper will be interested to note that the 3 Andi Derris (Helloween) fronted albums have been re-issued and all are worthy of your attention. See main catalogue for details.

Poverty’s No Crime - Slave To The Mind (InsideOut)

Finally, after what seems like forever (actually just a little under three years), one of Germany’s best kept progressive metal secrets return with their third album ‘ Slave To The Mind’ …. and what an absolute stormer of a release it is too ! Whilst their last effort, the mighty fine ‘The Autumn Years’ release, smouldered along quite nicely without ever really erupting into flame on a consistently regular basis, this positively explodes in a crescendo of complex riffs, reflective moods and spectacular hooks from the word go. Combining elements of Saga, Dream Theater and a heavier Marillion, with a sound uniquely their own, Poverty’s No Crime have created a masterpiece of ambient moods. Delicately layered and seamlessly interwoven together, the resultant mix of hooks and melodies makes for one of the most gob smackingly brilliant releases of it’s type so far this year. Unmissable !

Pretty Maids - Anything Worth Doing Is Worth Overdoing (Massacre)

Latest studio offering from one of the most enduring bands on the current European scene. The secret of Pretty Maids longevity is great songs, and 'AWDIWO' doesn't disappoint in that arena. Drawing its influences from their rich back catalogue, this album successfully combines the melodies of 'Future World' with the angst ridden passion of 'Scream' or 'Red Hot And Heavy'. The combination of Ronnie Atkins' gruff vocal delivery and the inherently melodic style of guitarist Ken Hammer, fuse perfectly to give the Maids their own unique style. Quality, traditional melodic metal of the highest order which sees the band continue to set the standard for others to follow.

Primal Fear - Jaws Of Death (Nuclear Blast)

The thing that you immediately notice as soon as you pick up this second offering from metal ‘supergroup’ Primal Fear, is the remarkable quality of the packaging. Put together to resemble a hard back book, this is very striking and could herald a new dawn in CD packaging. Musically too, this doesn’t disappoint. Picking up from where ‘Primal Fear’ left off, ‘Jaws Of Death’ is a thunderous mixture of ‘Painkiller’ era Judas Priest, Accept and Sinner, with a razor sharp production and some sterling twin lead guitar work. Ex Gamma Ray man Ralf Scheepers once again lends his Halfordesque vocal style to proceedings, giving the songs an overblown sense of the melodramatic. Although this is predominantly foot to the floor stuff, tracks like the slower ‘Under Your Spell’ give the album some depth. There’s also a faithful cover of the old Rainbow classic ‘Kill The King’. Along with Iron Savior, Primal Fear are the undisputed Kings of the metal revival.

Prime Time - The Miracle (Rising Sun)

It would seem that 1999 is turning into a bit of a bumper year for quality hard rock in a more traditional vein. Already we've had some great releases from the likes of Michael Schenker, Axel Rudi Pell and Pretty Maids, now we have arguably the best of the lot, the sophomore offering from Prime Time. Capitalising on the success of last years 'The Unknown' release, the songs this time have a far more mature and cohesive approach - proof positive if it were needed that guitarist Henrik Poulsen was a sorely underrated talent in his former band Narita. Once again featuring the voice of ex Elegy man Eduard Hovinga, the material is brim full of memorable hooks throughout. Features a great cover of the Europe classic 'Seven Doors Hotel'.

Promotion - Yeah Yeah

Sweden has a great history of mixing elements of pop, rock and aor with bands like Time Gallery, Dive, Big Money, Roxette, West Of Sunset and Trampolines immediately springing to mind. Promotion are a classy addition to that list and follow last year's very popular 'For Sale' release with 'Yeah Yeah' which to my mind is considerably better with much more consistency in the songwriting department. All the songs are ridiculously catchy with huge backing vocals and an excellent production job. If there is a down side it is with their image. Nice shirts and sweaters just don't cut it. Girls, prepare not to swoon. That aside, this very good aor and highly recommended.

Queensryche - Q2K (Atlantic)

Should you choose to believe the advance record company reports, this was to be something of a return to form for Queensryche. Now, if by that they were implying a return to the sound of either ‘Mindcrime’ or ‘Empire’, that’s way off beam … that was then, this is now. If anything, ‘Q2K’ owes more to the much underrated ‘Rage For Order’, it having a similar off beat vibe, or their last effort ‘Hear In The Now Frontier’, albeit without any of the grunge overtones. Far more stripped down (like ‘HITNF’) and late 90’s in feel than their acclaimed ‘classic’ period, the songs are strangely melodic and hypnotic, highly reminiscent of Queensryche at their most experimental - there’s even the odd touch of U2 creeping in every once in a while. By no means an instant fix, this is the kind of album you have to live with for a while to appreciate its finer qualities. Like the Crimson Glory release, this is kinda different, but much better than their last couple of efforts.

Ratt - S/T (Portrait)

So here we have it. The Portrait label revived by John Kalodner, major label distribution (Columbia), production by Richie Zito and even a mention on MTV. What the hell is going on. Is the world finally waking up to the fact that rock fans still exist and that music fans can only take so much of over hyped talentless teeny bands who can’t write songs, can’t play any instruments but have nice teeth. Rant over, it is nice to see the return of real bands and of course there is always room for ‘manufactured music’ and always will be. Back to the band in question. The new streamlined Ratt have matured and actually look pretty cool . I didn’t expect Invasion part 2 and am quite glad I didn’t get it. The addition of outside writers (Jack Russell, Marti Frederiksen (Amanda Marshall), Jack Blades, Taylor Rhodes (Nelson)) has enabled them to come up a powerful groove laden dose of modern hard rock, proving that you do not need to rehash your old sound to sound good. Highly recommended.

Reingold - Universe (MTM)

Jonas Reingold is rapidly becoming one of the most prolific talents on the Swedish scene. Bass player (and main songwriter) with Midnight Sun, with whom he’s just cut a third album, Jonas has also guested on a fistful of recent releases, as well as finding time to record ‘Universe’, his debut solo effort. With influences as varied as Rainbow, Symphony X and Mothers Army creeping in from time to time, ‘Universe’ still has its roots in that classic Scandie period from the mid 80’s. Featuring an absolutely stunning vocal performance from Goran Edman (Madison, Malmsteen, Glory, etc.), as well as a host of name contributions, the songs are brimming with hooks and melodies. Although the songs cover a wide base (as true solo albums should), the end results are surprisingly cohesive - just compare ‘No More I Love You’ and ‘Glorified’ for instance. Great to see MTM moving into new territory for a change. Recommended.

Rick Price - Another Place (Sony Australia)

After the rather lacklustre ‘Tambourine Mountain’ Rick Price had a bit of catching up to do to win back the hearts of aor fans and with Another Place he has returned to the uptempo style of the debut (Heaven Knows) with a musical backdrop not dissimilar to Nelson’s Life album. A pretty tasty combination aided by the addition of Phil Buckle (Southern Sons) whose ‘Nothing But The Truth’ CD was a genuine aor classic. As with Nelson we are treated to 10 songs of quality rather than an over cooked 16 or 17 which had become the norm with most bands. Quantity doesn’t always mean quantity and perhaps a lesson is finally being learned. I would have to give Nelson the edge when it comes to this style of music but Rick Price is not far behind.

Riot - Sons Of Society (Metal Blade)

With the release of the classic Westworld album (Destiny Records best selling CD ever!), Mark Reale’s profile as a songwriter has risen dramatically. Hopefully this will cause of few more rock fans (other than devoted Rioteees) to grab a listen to this latest release from his longstanding band. Cast in a more traditional mould, Riot specialise in riff laden uptempo melodic rockers with very strong comparisons to Rainbow (circa Straight Between The Eyes/Bent Out Of Shape). With 11 songs and only 1 ballad, this album rocks big time and with Mike Dimeo’s vocals drawing continual comparisons to Joe Lynn Turner you have a very high quality release which I would recommend to fans of classic hard rock and in particular those who continue to mourn the demise of Mr Blackmore’s mob.

Roland Grapow - Kaleidoscope (SPV)

'Kaleidoscope' is the second solo album from Helloween guitarist Roland Grapow, following on from 97's much overlooked 'The Four Seasons Of Life' effort. Steering clear of the usual guitarist trap (interminable instrumental workouts), Roland has once again opted for a full band affair, this time employing the services of the likes of Mike Vescera (Malmsteen, Loudness) and Mike Terrana (the new Axel Rudi Pell drummer) - respected ivory tickler Jens Johansson also makes a cameo appearance. This is a diverse set of songs, all with a melodic metal edge I might add, and far better than anything that's graced a Helloween album in many a year. Grapow's soloing is fluid but to the point, emphasising the quality of the songs rather than swamping them in needless histrionics. With tracks like 'Hidden Answer' or 'Walk On Fire', this is a prime slice of smouldering metal. Well classy.

Royal Hunt / Andre Andersen - Various (SPV)

At last the entire Royal Hunt back catalogue gets a long overdue UK release. Built around the creative genius of Ukrainian keyboard wizard Andre Anderson, Royal Hunt have an instantly recognisable sound, punchy melodic rock full of lavish keyboard arrangements and classical themes. Their first two albums 'Land Of Broken Hearts' and 'Clown In The Mirror' both have some classic songs, although the production is a little flat at times. Both albums won the band huge acclaim in Japan, but it wasn't until American born vocalist DC Cooper joined the band for third album 'Moving Target' that the rest of the world started to sit up and take notice. A much stronger set with a heavier guitar sound saw Andersen's compositional abilities go from strength to strength. To capitalise on their ever growing stature in the Far East, the band released a live double set simply titled '1996' which saw the bands stunning stage performance translate successfully onto CD. 1997 saw the band's strongest studio release to date with the superb 'Paradox' album (reissued here as part of a two CD set featuring the original album plus a great live album of the songs entitled 'Paradox / Closing The Chapter'). To complete the set SPV have also picked up Andersen's recent solo offering 'Changing Skin', a great album in itself, although some have criticised it for being a little to close to Royal Hunt for comfort. A perfect way to discover what all the fuss has been about.

Saga - Full Circle (SPV)

Whilst recent Saga studio albums have been somewhat dull, uninspiring affairs in the main, last year’s ‘Detours’ live opus at least was a fitting testament to their former glories. Perhaps sensing for themselves that a return to their roots was long overdue, the band have now produced easily their best studio effort in at least a decade ! As the title itself suggests, ‘Full Circle’ is something of a voyage of rediscovery, taking in the best bits from the band’s long and distinguished career. Gone are those overused late 90’s riffs which became prevalent of late, and for the first time in years, the keyboards and guitars combine to create that classic Saga sound we all know and love. Tracks like ‘Remember When (Chapter 9)’, and ‘Time Bomb’ will have long-standing fans cracking open the champagne, and whilst this isn’t quite ‘Silent Knight Part 2’, its a most welcome return to form. About time too.

Savannah - Salems Lot (Z Records)

The second of what I believe will be many 'limited editions' which will go along way to satisfying those who crave live and hard to get material by their favourite artists. Judging by advance orders and the No. 1 spot in last months sales, this has been a very shrewd move by Mark Alger (ditto Mark Ashton with the very successful Bob Catley Live at the Gods release). Salems Lot was recorded in February this year and gives the acoustic treatment to 2 new tracks as well as 8 from the successful debut CD. I do not know how many fans where at the show but it appears to be a fairly intimate recording which adds to the charm of what is likely to become a very sought after collectors item due to the 1000 only pressing.

Saxon - Metalhead (SPV)

Long time stalwarts of the NWOBHM scene, it’s hard to believe that Saxon have been around in one form or another for well over 20 years. In recent times, their UK profile has been fairly low key, yet the band have still continued to produce a string of successful releases - at least on the continent where their popularity remains as strong as ever. The release of ‘Dogs Of War’ saw Saxon slightly update their approach with the inclusion of a few Megadeth style riffs, and that approach has continued on ‘Metalhead’. Don’t worry, this is still essentially the same band which gave us classics like ‘Strong Arm ..’ or ‘Power And The Glory’, only with a slightly harder, more atmospheric edge. For an album I was expecting to be hopelessly dated, this sounds surprisingly fresh and current. Pick of the bunch ? .. ‘Conquistador’ clinches it for me, but the rest aren’t too far behind. Fluid metal with a touch of nostalgia.

Scudiero - Walking Through Mirrors (Review by Dave Cockett)

More big news from Sweden. Scudiero bring back evocative memories of the classy melodies once bestowed on us by bands like Treat, Glory and Alien. However, stylistically they're not what you'd call a traditional Scandie band at all, for along with the hooks there's a bang up to date progressive edge to their sound. Together, these two elements work beautifully giving Scudiero the passion and intensity of bands like Conception, and the commercial accessibility of the old guard. A bit of a departure for Z Records, but the gamble should pay off. Apart from Snakes In Paradise and Human Race, this is by far the best thing yet on the Z roster.

Schutt, Gary - Playthings (Pulse Records)

Second solo effort from the ex Takara bass player, ‘Playthings’ is the much delayed follow up to ‘Sentimetal’, originally on Long Island, and now long since deleted. Like it’s predecessor, ‘Playthings’ is an extremely varied opus, and pretty far removed from the ‘Firehouse by numbers’ of Takara. In actual fact, Gary is actually a damn fine songwriter who manages to incorporate a wide range of influences into his music - from the Van Halenesque funk of ‘In The Middle’ to the Silent Rage styled ‘Don’t Come Crying To Me’ complete with it’s sing along chorus, this set has something to suit all tastes. A true solo effort, insofar as the man wrote, played and recorded virtually everything you hear on this CD, ‘Playthings’ sticks a healthy two fingers up at all the record companies who’ve ignored Gary Schutt in the past. A worthy addition to any collection - just don’t leave it so long next time.

Sculpture - Sculpture (Review by Dave Cockett)

This is German band Sculpture's first release, and stylistically it is highly reminiscent of latter-day Metallica with a fair smattering of gothic overtones. At first, this might sound like an unlikely combination, but in practice it seems to work rather well, and the decidedly James Hetfield vocal style of frontman Stefan (ex Darkseed) sits quite comfortably within this redefined context. Musically speaking, the material is a little predictable, but nonetheless enjoyable throughout, and with a little more thought to the song structures and melodies, next time out could be quite special. One to watch.

Shooting Star - Silent Scream (V&R Records)

When discussing the pinnacle of underground melodic rock albums then Diving For Pearls, White Sister, Signal, Aviator, Icon and Witness et al will always feature very highly. This album has often been recommended to me as worthy of a place in such vaunted company and as I never heard it first time around this CD re-issue gives me a chance to weigh up its merits some 14 years after the vinyl version first saw the light of day. Opener ‘Summer Sun’ did a pretty good job of convincing me on the spot but classic albums are not built around 1 song. I needn’t have worried though as this album produces track after track of sparkling melodia and had I bought it in 1985 I would have played it to death. Too early for me to judge it a classic but so many of you who have lived with it for longer have no doubts. Were it not a re-issue (I tend to avoid giving re-issues and best of’s the honour) this would be my choice for the month. Genuinely magnificent melodic rock.

Shy - Let The Hammer Fall (Neat)

The third Shy album this year and the fourth in 12 months if you include the re-issued debut. How ‘new’ any of the unreleased material might be is open to debate but for fans of the band it must heaven. L.T.H.F. contains another 12 tracks which do have a slight demo feel about them (although the sound is better than that on Regeneration) and the booklet contains no information as to when any of the tracks were written or recorded. I would also suggest that the back cover photo has been ‘selected’ from a time past. Negatives aside, the songs are consistently good with just the right balance of anthemic rockers and ‘lighter in the air’ ballads. With the quantity of new releases currently on offer I can’t see Shy grabbing too many new admirers with this album but existing fans will lap it up.

Skew Siskin - What The Hell(SPV)

Probably best remembered for their ‘If The Walls Could Talk’ single from a good few year’s ago now, Berlin quartet Skew Siskin bounce back with their third, full length release ‘What The Hell’. A driving mixture of AC/DC riffs and pure adrenaline, the Skew Siskin sound is topped off by the distinctive vocal growl of Nina C. Alice (once described by Lemmy as a cross between Janis Joplin and Bon Scott). There’s a real 70’s vibe running through this album (everything from Led Zep to Suzi Quatro), and the lyrics to songs like ‘Life’s A Bitch’ or ‘Let’s Get Drunk ..’ display a wicked, tongue in cheek sense of humour the late AC/DC frontman would’ve been proud of. Raw and loud, brash and ever so slightly decadent, this certainly won’t appeal to your average Toto fan, but the old denim and leather (no pun intended) brigade might still get a kick from this well played set

Slaughter - Back To Reality (SPV)

For nearly a decade, Slaughter have flown in the face of musical fashion, sticking faithfully to the glam meets sleaze hard rockin’ sound that has been their trademark since day one. ‘Back To Reality’ is their fifth studio release, the first to feature new guitarist Jeff Blando who joined their ranks after the untimely death of original member Tim Kelly. Slaughter play in the same ball park as bands like Kiss and Motley Crue, with the occasional nod towards something from an earlier era with the odd Faces inflection. It has to be said that vocalist Mark Slaughter’s high pitched whine (Tom Keifer meets Vince Neil) is something of an acquired taste, although to be fair his vocals sit far more comfortably within this framework than his previous stint with Vinne Vincent. Nothing too memorable, except Love Is Forever’ which sounds like a Vince Neil song, but long-standing fans of the band won’t be disappointed.

Smith, Stuart - Heaven & Earth (Samsung)

This debut solo release from Stuart Smith is surprisingly only available as a Korean import and has been the recipient of some great reviews on the Web causing many a customer to voice a polite enquiry. We now have it in stock and it will fly out as it is very reminiscent of the stadium rock supplied by the Likes of Rainbow and Deep Purple with a hint of Giant. Add to this a guest list to die for; Glenn Hughes, Joe Lynn Turner and Kelly Hansen on vocals, Richie Sambora and Howard Leese on guitar, Chuck Wright on bass and Carmine Appice and Jay Schellen on drums.

Spiro, Mark - The Stuff That Dreams Are Made Of (MTM)

For the record, Mark Spiro is quite possibly one of the best songwriters the field of AOR has ever produced, and with 'TSTDAMO he continues the fine tradition started on his previous two efforts. More AOR than 'Devotion', but a touch rockier than the debut, it's the sheer quality of the songs (all gorgeous melodies and monster hooks) that impress time after time. The list of co writes is very impressive too (Jim Vallance, Michael Thompson), as are the players (Dan Huff, Tim Pierce) involved. Although this is packed with great songs, it was 'I'll Be There' and 'Back To The Promised Land' which did it for me. Consummate AOR, and a sure-fire top ten of the year for this type of music. Excellent.

Springfield, Rick - Karma (Platinum)

Not only do we have to wait 11 years since his last solo album, we also then have to endure the months of anticipation with the Japanese version appearing in December last year. Has the wait been worth it? Have you read the review in Hard Roxx? (Ok, so it didn't get 20 out of 10 but it was still a good review.) Simply put, this is classic Springfield. Top quality songs, pristine production and the kind of aor which you probably thought you would never hear again. I genuinely hope US radio will pick up on this as people of all ages will love it without any hype necessary. 1999 will also give us new releases from Journey, Toto, Foreigner, Styx, Kansas, The Outfield and Boston (maybe!). Funny old world.

Stormwind - Heaven Can Wait (Digital Dimension)

Another one firmly in Mr Cockett’s territory although this time in his much beloved Neoclassical genre. Guiter whizz Thomas Wolf has enlisted the help of Thomas Vikstrom (another member of the Scandi rent a singer collective also occupied by Edman, Sandberg, Leven et al...) in order to add some credence to his growing reputation. And add he does to a classy set of tunes which owe a great deal to Malmsteen and more recently Brazen Abbot. Great vocals and guitar histronics apart this style of music also relies heavily on a driving rhythmn section and Stormwind provide just that, helping the music to gallop along at a rate of knots. Let me mention a few song titles before I go; ‘Eye Of The Storm’, ‘Mountain Of Zion’, ‘Magic Knight’, ‘Marco Polo’ and my favourite ‘Caelum Exspectare Potest’ (I kid ye not). You just know what this is going to sound like.

Styx - Brave New World (SPV)

The first new Styx studio album since ‘Edge Of The Century’ in 1990 (although as that particular release didn’t feature Tommy Shaw, many would claim this to be the first proper Styx recording in 15 years), ‘Brave New World’ has certainly got a lot of people eager with anticipation. Touted in many corners as a return to the sound of classics like ‘Pieces Of Eight’ or ‘Cornerstone’, in reality this is a far more contemporary sounding album.. There’s occasional glimpses of former glories, ‘Brave New World’ itself for example, but for the most part Styx 1999 have moved on considerably from the pomp rock style of old. An equal mix of rockers and ballads, this has a rather laid back feel, which might take a few spins to fully appreciate. Still, the songs are much better than the overrated Tommy Shaw ‘7 Deadly Zens’ effort. A mixed bag, which will disappoint some but captivate others.

Talk Of The Town - S/T (Virgin)

During the 80’s and early 90’s, Sweden was second only to the USA when it came to producing class melodic rock; Europe, Treat, Glory, Alien, Talisman, 220 Volt, Bad Habit and of course Talk Of The Town. If you have only heard the recent Reach For The Sky album then you have missed out big time as this S/T debut is superior in every way. Better songs, better production and a sound not far removed from the first 2 Skagarack albums this CD is packed with gems such as Free Like An Eagle, Fever, Livin For Lovin, Undercover Love and Wildcat. As re-issues go this is up there with the best and with 8 extra tracks you cannot go wrong. Original copies were changing hands for up to £50.00, putting it out of reach of most of us, until now.

Talisman - Truth (Empire)

The advanced hype surrounding 'Truth' proclaimed it to be a return to their melodic roots, and whilst it certainly shows more melody than their later releases, Talisman 1999 is a much changed animal to the band who released 'Talisman' or 'Genesis'. First off, there's three covers - Queen, Prince and Madonna songs - none of which add anything to the originals (in truth, Madonna's version of 'Frozen' is much better). Of the originals, these vary considerably in merit, from the classic Talisman sounding 'Here 2 Day, Gone 2 Day' to the Vegas style Soto composition 'Your Man'. Competently played, although the approach is a little minimalist in places, sadly this is not the classic return to form people were expecting.

Ten - Spellbound (Review by Dave Cockett)

The great white hopes of British rock return with their heaviest release to date. Put simply, 'Spellbound' is a marvellous album, which, whilst drawing influences from some of this country's finest, still remains uniquely and indisputably Ten. Vinny Burns literally shreds his way through this album in a way not seen since Dare's woefully underrated 'Blood From Stone' opus. This might surprise a few people, particularly those expecting a return to the AOR gloss of the debut, but the bottom line is that once again, Ten have delivered. Gary Hughes is the best songwriter this country has produced in years, and 'Spellbound' is fitting testament to that fact. British rock at its best.

Terra Nova - Eye To Eye (Now & Then / Frontiers)

The debut Terra Nova album 'Livin It Up' was something of a melodic rock masterpiece. It's gloriously hook laden mix of classic Scandie rock and Mid West AOR was one of the few highlights of this particular genre back in 1996. Although the band have released two albums for the Japanese market since then ('Break Away' and 'Make My Day'), both have been rather patchy affairs which haven't really come close to former glories. Thankfully, Now And Then have taken the best bits from both these albums and put together this rather good compilation under the 'Eye To Eye' banner. Whereas both albums never really gelled in their own right, this one positives crackles with a vibrant energy from the very beginning. Songs like 'Break Away' and 'Eye To Eye' which seemed dull on the original, now burst forth with a renewed sense of purpose. Nice one !

The Sygnet - Children Of The Future

Sygnet is the latest project to feature the vocal talents of Michael Bomann. Is this the end for Jaded Heart or is it simply a case , like many of his contemporaries, of Michael spreading his musical wings just to make ends meet? I'll leave that question to future interviewers and dive head first into the music. Whilst Mystery Eyes saw Jaded Heart produce the most melodic offering to date, Children Of The Future offers a much more bombastic approach with plenty of chest beating melodic anthems packed with crunching riffs and high octane vocals. This is the kind of combination which should see Sygnet grabbing the attention of both metalheads and aor fans alike.

The Sygnet - Children Of The Future (Golden Core)

Available for a good few months now, the singular lack of interest afforded this release is nothing short of astounding ! The nucleus of The Sygnet is built around Jaded Heart man Michael Bormann and Sinner guitarist Alex Beyrodt, and between them they've created some fine Germanic rock which has it's roots in that classic Bonfire (c. 'Fireworks') sound. A powderkeg of smouldering riffs and soaring vocals, 'Children Of The Future' rocks with the kind of passion missing from much of today's output. Great songs like 'Fire In Paradise', or the epic title track, abound throughout this album making it an essential purchase. Certainly the best batch of songs Bormann has been involved in to date.

Time Machine - Eternity Ends (Review by Dave Cockett)

Second full length album from this talented Italian band which sees them moving into much classier territory than was hinted at on their last release, the 'Shades Of Time' mini album. Closest comparison I can think of is Sweden's Tmescape, although if anything, Time Machine have much more accessible songs. For the most part, the songs on 'Eternity Ends' are pretty laid back, although they do wind it up a bit on the odd occasion, and they have an indescribably hypnotic quality which leaves you wanting to hit the replay button. Yet another fine contribution to one of the hottest scenes on the prog metal circuit.

Timesphere - Tranquillity To Tempest (Independent)

The quality of independent releases just seems to get better and better these days, and 'Tranquillity To Tempest', debut release from German progressive band Timesphere, is one of the most impressive yet. Progressive yet tasteful, technical but not over facing, this six piece come from the more thoughtful end of the progressive spectrum. A great combination of Vanden Plas, Dream Theater and Time Machine, this rarely shifts beyond second gear pacewise, but what they lack in speed is more than made up with passion and melody. Clever arrangements, precision musicianship and thoughtful lyrics abound throughout. Get in on the ground floor before this lot are snapped up by one of the big boys.

TNT - Transistor (Eagle Rock)

Much anticipated on the back of the phoenominal Westworld album Transistor has a lot to live up to. Advance word indicated anything from classic TNT to Westworld to Firefly, or, in other words, a lot of guess work. To me it sounds like none of these. Opener ‘Just Like God’ was not a a good choice as it doesn’t really get going, in spite of a great chorus. ‘Wide Awake’ follows and is as immense as it is memorable. Ditto ‘No Such Thing’. Although TNT has always been a vehicle for Ronnie Le Tekro’s firey fretwork there are very few moments when he really lets loose. ‘Mousetrap’ and ‘Into Pieces’ being the exception rather than the rule. Tony Harnell is the star here (check out ‘Under My Pillow’ and ‘Fantasia Espanola’) and the album is driven more by percussion than guitar (or maybe that is just a first impression). This is the kind of modern rock album that will need plenty of listens to appreciate and a much more in depth review to explain. I like it, but I’m not sure why yet!

Turner, Joe Lynn - Hurry Up And Wait (MTM)

Latest solo album from one of Rock's greatest journeymen, 'Hurry Up And Wait' finally gets a European release with the added incentive of a bonus track ('Shine On') not found on the Jap version. Whilst this sees Joe pursuing a lot of styles, it retains a distinctly late 70's / early 80's feel overall. From the Deep Purple feel of 'No Room For Love' to the Rainbow edged 'Guilty Heart', the blues romp 'Blueprint For The Blues' to the AOR style of 'We Will Survive', this album is packed with emotional performances, both from Joe himself and guitarists Al Pitrelli and Tony Bruno. Save for the odd filler, this is a thoroughly enjoyable set of songs which no fan of the man should be without.

Under Fire - S/T

The most frustrating thing about the aor scene is when someone says 'have you ever heard (substitute any late 80's/early 90's aor band here). They were the best band never to get an official release and I've had it on tape for like a 100 years' . With all these 'long lost' albums finally coming out you can now at least judge for yourselves. One of the more worthy bands from that 'golden period is 'Under Fire' which has been released by the same label that recently gave us the New England catalogue. The obvious link with these two acts is Jimmy Waldo; keyboard player with both outfits. Under Fire's approach is more mainstream aor but inevitably retains the New England pomp tinges through Mr waldo's keyboard fills. The main point of reference for me is the Sheriff CD which has a similar mix of catchy mid tempo numbers and all out rockers and like that album it is the former which takes the plaudits and where the album works best.

Unruly Child - Waiting For The Sun

Genuine band or marketing ploy? Well, seeing as this album was due for release nearly 2 years ago under the moniker of 'Heaven & Earth' I'll let you decide. No Mark Free this time but a very worthwhile replacement in the shape of Kelly Hansen (Hurricane and more recently Stuart Smith) whose voice seems to get better with age. If anything, 'Waiting...' has a smoother more commercial feel than the more guitar edged debut. My advice would be to ignore the name (if you can) and treat this as a stand alone album and you will appreciate it for what it is; class melodic rock performed by genuinely talented musicians.

Vanden Plas - Far Off Grace (InsideOutMusic)

Long awaited third studio offering from German’s premier progressive metal outfit, ‘Far Off Grace’ has the unenviable task of following the band’s monumental ‘The God Thing’ opus. There are very few bands within progressive circles who can truly be said to have developed a sound uniquely, and instantly identifiable as their own, yet Vanden Plas slot easily into that category. Dream Theater style mood changes, haunting keyboard refrains, hook laden melodies, and an epic sensibility all combine within this band to make them one of the most original purveyors of cutting edge metal around. Whilst vocalist Andy Kuntz may seem to be an acquired taste on first listen, within the space of two songs his slightly nasal delivery will endear itself with devastating effect. Slightly more varied pacewise than it’s illustrious predecessor, I won’t say it’s better, but it’s certainly just as good. Absolutely essential !

Vanishing Point - In Thought (Angular Records)

Now here’s something interesting. With the progressive metal market place becoming ever more crowded, bands are finding it harder and harder to come up with a sound that’s original, or even remotely their own. Antipodean quintet Vanishing Point have at least chosen a less well trodden path, taking traditional progressive rock melodies and grafting them onto a riff strewn framework. Being progressive, you’d expect the odd twist and turn here and there, but these are kept relatively low key, potentially opening up their music to a wider audience. Musically, they’re like a cross between Time Machine, Vanden Plas and Marillion, with the odd Queensryche riff thrown in here and there. At times, the slightly phased guitar sound brings to mind the long defunct Diving For Pearls, as do some of the offbeat melodies, and the vocals are definitely more mainstream than metal. Best thing on Angular since the Crises album.

Destiny’s choice Part 2: Venice - Spin Art (Vanguard)

Two of my favourite bands being reviewed in the same catalogue with very high expectations for both. Nelson didn’t disappoint and neither has this. Venice stand alone as the supreme vocal harmony band of a generation with musical accompaniment almost incidental. If you enjoyed Born & Raised then this for you. Spin Art never gets much above a gentle mid tempo but is never boring. The musical equivalent of a long, slow massage, taking away the aches and pains of a stressful day through a subtle yet spellbinding combination of pure (not studio enhanced) harmonies and heartfelt lyrics. All we need now is a world acoustic tour featuring Nelson and Venice. Oh, before I forget, AOR Album of The Year Part 2.

Venus - Ordinary Existence (Independent)

Venus come from Sao Paulo Brazil, so it's hardly surprising that Angra have had more than a passing influence on their sound and direction, particularly vocalist Eduardo Falascchi who sounds like a rawer Andre Matos. Musically, Venus come across as a sort of halfway house between 'Angels Cry' era Angra, and Matos' previous band Viper, with the odd Eurorock melody line thrown in here and there for good measure. For an album that must have been recorded on a fairly limited budget, the end results are surprisingly good, with the guitar and keyboards fusing together particularly well to create some really strong hooks and plenty of atmosphere. As debuts go, the songwriting is extremely mature and sophisticated, with tracks like 'I'll Remember', 'Leaving The Light' and 'The Immortal' getting stronger with each play. One of the better independent releases of late.

Virgin Steele - The House Of Atreus (Act 1) (T&T / Modern Music)

Follow up to last year’s acclaimed ‘Invictus’ release, ‘The House Of Atreus (Act 1)’ is the first instalment in a highly ambitious transformation of a 3,000 year old Greek tragedy called ‘Kingdom Of The Fearless’. Never a band to fear the consequences of taking chances, Virgin Steele have delivered a hugely enjoyable slice of rock opera, which pushes the boundaries of not only their own style, but of the genre as a whole. Raging guitars and snarling vocals (there’s no disguising that David DeFeis growl !) sit comfortably alongside gentler passages and exceptional instrumentation to make for a thoroughly enthralling package. At 70 plus minutes, this is certainly a magnum opus, and not one to be approached lightly; but overall it serves as a fitting tribute to just how far the band have come some their debut release in 1982. Watch out for part two some time next year.

VU - Just As I Am (Bartholomew Productions)

Christian aor/rock seems to be a sub category all of its own and the genre has thrown up some great bands in recent years, notably Whiteheart, Nouveaux, PFR, Shout, Narnia and Giant amongst others. Whilst some of these artists portray their message in a fairly subtle way, others make their feelings very clear through a very strong lyrical theme. VU fall into the later category which some of you may find a little too much to take. Still, it makes a change from the ‘Two hearts beat as one’ lyrical approach of some aor bands. Leaving that to one side, the musical plus points are many with my immediate comparison being a pleasant blend of the two Nouveaux albums with the odd Ian Chrichton (Saga) style lick thrown in. Essential for fans of the genre and worth a bash if you can see beyond the lyrical bias.

&nb